#Franz marc self portrait free

Their goal will be to complete at least one animal composition that is refracted in a style similar to Marc’s paintings and include thoughtful use of color, burnishing and layering. The reason for using oil pastels is to simplify the use of burnishing and layering, a key component of this unit. Rather than using paint, students undertake this project using oil pastels. What might the animals symbolize? What about the size they are depicted as? Can the colors used also be considered symbols? Of what? Students also discuss symbolism in relation to Marc’s paintings. Along with The Foxes, this is one of my favorite Marc paintings. I often wonder at what this expressive artist would have created had he been given more time in the world. Sadly, Marc was not long for this world, as he was killed in action during World War I. His work is most often categorized as expressionistic.

Not only did Marc use images symbolically, but colors as well. Their goal was to use form and symbolism as tools to overcome what they saw as the toxic state of the modern world”, ( ). In association with Russian painter and theorist Wassily Kandinsky, Marc founded the group Der Blaue Reiter, which emphasized the use of abstracted forms and bold colors. According to the Art Story, “(Marc) is most famous for his images of brightly colored, (geometrically abstracted) animals, especially horses, which he used to convey profound messages about humanity, the natural world, and the fate of mankind. As such, she became one of the first German artists who worked in the Expressionist style.Deer in a Monastery Garden, 1912, Franz MarcĪctivity statement – Franz Marc (1880-1916) was a sensitive, humble, and quietly innovative German artist who is not as widely studied as his contemporaries. Inspired by trips to Paris, where she came face to face with the color palette and expressive brushwork of the French avant-garde (Cézanne, Gauguin, Van Gogh), she started incorporating more color into her work. In her short life (she died at the age of 31) she painted over 700 paintings and made over 1000 drawings.

She is considered one of the most important representatives of early Expressionism and is known as the first female painter to paint nude self-portraits. Der Blaue Reiter did not last very long and dissolved at the start of WWI in 1914 since Franz Marc was killed in combat and Wassily Kandinsky was forced to move back to Russia.Īnother important German Expressionist painter was Paula Modersohn-Becker (1876-1907).

Other artists associated with the movement were Paul Klee, Gabriele Münter, Alexej von Jawlensky, Marianne von Werefkin, and August Macke. Kandinsky and Marc also shared a love of the color blue, which they considered a spiritual color. Der Blaue Reiter derives its name from the recurring theme of a rider on horseback, which appeared in Kandinsky’s painting at the time. They also attempted to break down the boundaries between what people considered high art, children’s art, folk art, and ethnography. In 1911, Wassily Kandinsky and Franz Marc formed Der Blaue Reiter, with an aim to transcend the mundane by pursuing the spiritual value of art. They chose their name inspired by a passage in Nietzsche’s Thus Spoke Zarathustra, wanted to convey their wish to bridge the past and the present. The founding members were Ernst Ludwig Kirchner, Fritz Bleyl, Erich Heckel and Karl Schmidt-Rottluff. Die Brücke was a collective of artists formed in Dresden in 1905, who were opposed to the bourgeois social order of Germany. Two main groups of artists formed the core of German Expressionism: the artists who formed Die Brücke and Der Blaue Reiter.

#Franz marc self portrait free

Key characteristics: emotion, free sexuality, heightened use of color, spirituality Key artists: Paula Modersohn-Becker, Ernst Ludwig Kirchner, Franz Marc, Wassily Kandinsky, Emil Nolde, Fritz Bleyl, Erich Heckel, Karl Schmidt-Rottluff, Paul Klee, Gabriele Münter, Alexej von Jawlensky, Marianne von Werefkin and August Macke. Keywords: self, psyche, body, sexuality, nature, spirit, emotions, mysticism, distortion of reality, exaggeration, heightened use of color German Expressionism was divided into two main groups of artists: Die Brücke (the bridge), led by Ernst Ludwig Kirchner, and Der Blue Reiter (The Blue Rider), led by Franz Marc and Wassily Kandinsky. Germany, along with France, Austria, and Norway, was an important center of the development of Expressionism. The artists’ aim was to express their emotional experiences, instead of focusing on portraying physical reality. At the start of the twentieth century, Expressionism emerged as an international tendency and art movement, spanning art, literature, music, theatre, film, and architecture.